hey folks, I’m gonna introduce you to two very important fandom terms and they are watsonian and doylist
they come (obviously) from the sherlock holmes fandom, and they are two different ways of explaining something in a story. say I’m a fan and I notice that, in the original books, watson’s war wound is sometimes in his leg and sometimes in his shoulder. the watsonian explanation is how watson (that is, a person within the story) might explain it; the doylist explanation is how sir arthur conan doyle (a person in real life) would have explained it.
sherlock explains the migrating war wound by making the shoulder wound real and the limp psychosomatic. the guy ritchie films explain it by having the leg wound sustained in battle before the events of the film and the shoulder wound happen onscreen. the doylist explanation, of course, is that acd forgot where the wound was.
this is very important when we’re discussing stuff like headcanons and word-of-god. I see this when people offer watsonian explanations for something, and then a doylist will say something like “it’s just because the author wrote it that way,” and I see it when a person is criticizing bad writing/storytelling (for example, the fact that quiet in metal gear solid v is running around the whole game in a bikini and ripped tights) and someone comes back with “but there’s an in-story reason why that happens!” (that reason being she breathes through her skin).
there’s nothing wrong with either explanation, and really I think you need both to understand and analyze a text. a person coming up with a watsonian explanation has likely not forgotten that the author had real-life reasons for writing something that way, and a person with a doylist interpretation is likely not ignoring the in-universe justification for that thing.
but it’s very difficult (and imo often useless, though there are exceptions) to try to argue one kind of explanation with the other kind. wetblanketing someone’s headcanon with “or it could just be bad writing” is obnoxious; dismissing someone’s criticism with “but have you considered this in-universe explanation” is ignoring the point of the criticism. understanding where someone is coming from is important when making an argument; acting like your argument is better because you’re being doylist when they’re being watsonian or vice versa is not.
it’s been 5 million years but this thing still gets notes with like “can someone explain this to me in a shorter, easier way” so here it is:
watsonian: the enchantress cursed the eleven-year-old prince from beauty and the beast and all of his servants because fairies don’t understand why humans would think that’s insane and unfair. I am using in-universe evidence to explain why the character might think or act a certain way, as if belle and the prince and the enchantress are real people.
doylist: the writers didn’t realize that the prince would have been eleven when he was cursed until it was too late to change it, and the servants are also cursed because talking furniture is funny and allows for unique character design. I am explaining this plot point based on an outside knowledge of how writing works and how writers think.
More from the Uncanon Valley Museum’s display of a collection of recently uncovered ancient Sumerian earthenware Pokemon figures, found in what is presumed to be the home of the craftsperson that created them. Check out these samples from that collection here, and please, share this important cultural find.
Who’s that ancient earthenware figurine?
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Actually part of #thistoydoesnotexist, these are AI generated images created using Midjourney AI.
Etruscan - young woman 4th-3rd C. BCE, terracotta. H. 29 7/16 in. (74.8 cm). Metropolitan Museum of Art.
“The legendary king Aeneas, father of the Latin race, fled from Troy to Macedonia, then Sicily, and finally to the Italian peninsula. There he founded a city called Lavinium (modern Pratica di Mare), a site eighteen miles south of Rome, which became a major religious center for the Latin people. The distinctive clothing and jewelry on this life-sized statue closely resemble those on fourth and third century B.C. terracottas found there. The elaborate necklaces and armband appear to be reproduced from molds of actual jewelry. Some of the pendants are decorated with reliefs depicting various Etruscan deities and heroes. Originally, this woman wore a pair of grape-cluster earrings. The one on her left ear is visible behind her long hair. When complete, the statue probably stood in a sanctuary and showed the young woman holding an incense box in her extended right hand. This rare statue is an exceptional example of the awakening sophistication of Italic artists, who over the following two centuries fused native traditions with imported ones and gave birth to the multifaceted art of Late Republican Rome.”
