prostheticknowledge:
“as·phyx·i·aMotion project by Maria Takeuchi and Frederico Phillips uses performative dance captured with two XBox One Kinect sensors, presented in an abstracted yet recognizable and fluid form:
Here is a Making-Of video showing... prostheticknowledge:
“as·phyx·i·aMotion project by Maria Takeuchi and Frederico Phillips uses performative dance captured with two XBox One Kinect sensors, presented in an abstracted yet recognizable and fluid form:
Here is a Making-Of video showing... prostheticknowledge:
“as·phyx·i·aMotion project by Maria Takeuchi and Frederico Phillips uses performative dance captured with two XBox One Kinect sensors, presented in an abstracted yet recognizable and fluid form:
Here is a Making-Of video showing... prostheticknowledge:
“as·phyx·i·aMotion project by Maria Takeuchi and Frederico Phillips uses performative dance captured with two XBox One Kinect sensors, presented in an abstracted yet recognizable and fluid form:
Here is a Making-Of video showing...

prostheticknowledge:

as·phyx·i·a

Motion project by Maria Takeuchi and Frederico Phillips uses performative dance captured with two XBox One Kinect sensors, presented in an abstracted yet recognizable and fluid form:

Here is a Making-Of video showing how the work was put together:

The project is an effort to explore new ways to use and/or combine technologies and different fields in an experiment without many of the common commercial limitations. The performance is centered in an eloquent choreography that stresses the desire to be expressive without bounds.

Motion data was captured using inexpensive sensors and that data paved the way through an extensive number of steps.  Once all the scanned point cloud data was combined, that was then used as the base for the creative development on the piece.  A series of iterative studies on styles followed and several techniques and dynamic simulations were then applied using a number 3D tools for various results.

You can find out more about the project here

(via khymeira)

asker-avatar
ensignschlo asked: My roommate thought that I was bad enough on Star Trek, but now he has seen me on Babylon 5. I thank you for showing me the what I had been missing! (I'm only through the first few episodes and already know that it will be another obsession)

*Kronk voice*  I’m so proud of you guys~

I am delighted to hear this, yessss. 

I think if you are this fond this early, then, yes, you are something of a goner.  I think I recall only really being like ‘hey, I like this and things are happening’ toward the end of Season 1, beginning of Season 2 and clearly I am far gone, so you are in the most delightful of trouble, friend. 

I hope you love every minute of it and also come shrieking to me when it ends. 

You should all do that.  I want you all coming to a Crying About Londo Mollari Party in the future.  I can probably scrounge up some testimony about them being fun AND cathartic.

asker-avatar
kittyknowsthings asked: Yes, we (Mr Kitty and I) are enjoying Babylon 5. Immensely. The kind of enjoyment that means we tend to scream at the screen on occasion. Do you enjoy having inflicted that pain on us?

I do!  

It only means I’ll have that many more people to scream with about my continued pain regarding the entire series when you all finish!  

Woman uses skills and enthusiasm to woo her followers to another new media experience and thus creates a built-in army of people who are fans.   It is Super Effective :D

asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
” asylum-art:
“ Olafur Eliasson: One Way Colour Tunnel 2007
Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.
”

asylum-art:

 Olafur Eliasson: One Way Colour Tunnel  2007

Olafur Eliasson’s colorful, kaleidoscope-like glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black.

(via feltelures)

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I'm Lady Yate-xel (yay-tuh-zel) - Lady and L.Y.X., and I'm ghoulish. I swear all the fucking time.

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