Your writing has matured a lot too! I noticed that when I re-read SWAN last year, as compared to reading it when you first shared it on Cherry Doom, I picked up on little things I never noticed before. Also I adore non-binary Johnny in reSWAN a LOT.
:D
Part of me thinks they are different sides of them, and part of me just thinks they’re sides that have always been there, they were just buried under my general unease and fear! Both versions are addressing the same general themes and people and events, but there are some things that add (or maybe it’s reveal) other layers to it. So maybe I’m enjoying it differently too! Thanks for talking about it a little! I really appreciated the flood of comments on dA, haha.
And goodness, thank you, I would hope it had matured some in almost ten years since I did the first chapter, haha. I’m always going to be primarily a painter, but I do suffer from this delusion that I can occasionally string words together in a pleasing fashion and I’d like to keep doing that as much as is feasible, though I’m not always as keen to share it.
One of the biggest things with the new version is just getting more details and motivations into things. There were times when I went back and re-read SWAN for purposes of writing ISH or drawing things or even doing this reSWAN stuff and I can see places where I remember writing Johnny being weird and cryptic but leaving out what he was being weird about. And a lot of that was doing seat of my pants writing versus this ‘knowing where I’m going and having a prior draft’ thing I have going on now, but there were parts that I distinctly remember leaving it out on purpose and then just mentioning it later in the extras because there was no where to put it otherwise or I just wasn’t skilled enough to get it together? Something like that. Now, we eventually learn the reasons for Johnny’s quirks and long stares and strange looks (most of them relating to songs and looking for Edgar’s), so there’s less just sitting there and accepting 'lol nny’ for the long haul, haha.
I AM DELIGHTED you like non-binary Johnny because I love him too, and that seems to be the consensus reaction. He’s 16, so he doesn’t have everything concretely figured out for himself yet, so what he tells Edgar is a bit like an identity in progress, but if he has to be comfortable with an umbrella term, that’s the one he’s got at the moment and he and Edgar roll with it. He’s weirdly fortunate that, at the moment, he only has four people in his world and they aren’t causing any kind of threat to his sense of self. Being a visible person is going to piss him off a little more than he’s expecting because of some things related to this, but I think he’ll respond to it in an appropriately theatrical manner, so he’ll be okay. (I say, as though he’s real and/or I don’t know. The rabbit hole is deep, my friend.)
I’m still considering having him sample some other pronouns at some point because, right now, even as he tells Tenna and Edgar otherwise, he’s still kind of operating under 'he’ as neutral and default. He knows he’s contradicting himself a little, but this IS Johnny, so how much he’s going to admit to that or deal with it, I don’t know.
He still has to touch on the asexual spectrum thing later too (which I’ve written part of, but is not in what’s currently up yet), so he’s got all sorts of personal details that Edgar has to learn about in addition to them dealing with 'The Anti-Christ feeds us cookies and is bad at his job.’ And then Edgar can be a goddamn class act and we’re all happy.
And then we die from happy, haha.